John
Van
Buren

His 
life

John Van Buren was born in 1952 in Portland, Oregon, U.S.A. 

He studied German literature, music and painting at Reed College in Portland for two years before going to Germany where he entered the Staatliche Hochschule für Musik und Darstellende Kunst, Stuttgart. 

Here he studied composition with Milko Kelemen, piano with Edgar Trauer and electronic music with Erhard Karkoschka, among others. 

He was an active participant at the Darmstädter Ferienkurse in 1976, and has also profited from special seminars with Ligeti, Kagel, Nono, Lachenmann and Yun. 

In 1979 he received his diploma in composition.

His work

Van Buren composed numerous works for orchestra, various chamber ensembles, choir, electronic music, organ and solo instruments, which have been performed repeatedly in Germany and other European countries as well as in the United States. 

He received commissions from various music festivals and ensembles, and his works have been broadcast on many German radio stations. His extensive collaboration with choreographers and filmmakers led to productions and performances on German national television (ZDF), New York public television, at the opera houses in Mainz, Ulm, Hagen and Osnabrück in Germany, and at important theaters in London and New York City (Carnegie Hall). His works were published by Peer Musikverlag, Hamburg/New York, Carus Verlag Stuttgart, Zimmermann Verlag Frankfurt a. M. and by edition modern in Munich. 

His compositions were performed by the Deutsche Symphonie Orchester Berlin, Radio Sinfonie Orchester Stuttgart, Staatsorchester Kassel, Nümberger Symphoniker, American Composers Orchestra, Minnesota Orchestra and the Eugene Symphony.

Other premieres include "Night Scenes", written for the Staatsorchester Kassel, and his Second String Quartet for the Wilanow Quartet, Warsaw.

His " Gloria " was chosen to commemorate the 850th anniversary of the UNESCO Landmark, Kloster Maulbronn, and the Maulbronn Chamber Choir took this piece on tour through Argentina in October 1997. When the choir won the German Choral Competition 1998, this piece was included on the program and became the compulsory composition for the following competition.

In December 1998 Van Buren's Flute Concerto was premiered by Mathias Dittmann and the Augsburg Philharmonic Orchestra under GMD Peter Leonard. In February 1999 "Luxe, calme et volupté" for violoncello and piano, commissioned by the Süddeutscher Rundfunk and premiered at its ECLAT music festival, was deemed a masterpiece by the press.

After his stroke in 2000, he only composed “Psalm 6” for mixed choir (commissioned by the “Irseer Kunstsommer”).

Principal works

  • Divertimento , 2.2.2.2-4.3.3.0-str., 1980, 9' 
  • Concertino, solo fl, string orch., 1982, 18'
  • Three Preludes, 0.1.1-0-1.0.1.0-pno.org.-2.1.1.1, 1983, 15’
  • Rows and Themes, 2.1.1.1-2.2.1.0-timp. perc(2)pno.-str., 1986/7, 14'
  • Night Scenes, 3(3=Picc).2.corA.2.bcl.2.cbsn-4.3.3.1-timp.cel.perc(3).hp.pno.-str., 1996, ca.22’, Premiere: Kassel 1996
  • Finale, Concert Band, 1995, ca. 8’, Premiere: Stuttgart 1996
  • Aufbruch, 3(3=picc).2.corA.2.bcl2.cbn-4.3.3.1-timp.cel.perc(3).hp.pno.- str., 1992, ca.12’, Premiere: Kassel 1992, recorded for broadcast, SFB
  • Mementos ( Symphony Nr.1 ), 2.2(2-corA).2.2-4.9.3.1-timp(4).cel. perc(3) -str., 1989/90, ca.29’, Premiere: Ludwigsburg 1990, recorded on Albany Records
  • Und Mozart zugleich, 0.2.0.2-2.0.0.0-0-str., 1991, ca.28‘, Premiere: Waiblingen 1991
  • Weihnachtsmusik, 16 voices a cappella, 1976, 9' 
  • Alive (e.e.cummings), women's voices, 1984, 13’
  • Gloria, mixed choir a cappella, 1996, ca.6’, Premiere: Stuttgart 1996, Carus
  • Zwei geistliche Lieder, mixed choir with Organ, 1992, ca. 9’, Premiere: Nürtingen 1992
  • Komm und besänftige (Hölderlin), mixed choir a cappella with solo fL., 1989, ca.16’, Premiere Nürtingen 1989, recorded for broadcast, SDR
  • Psalm 6, mixed choir a cappella, 2001, Carus
  • Obsessions, 2 vc., 1975, 10’
  • Trio für Fünf, sop.,b.cl.,vc.,pno.,perc., 1977, 10’
  • Tiefenwirkungen, 3 vc., 1978, 13’
  • String Quartet, No. 1, 1981, 19´
  • Concertino, fl, vl.,va.,vc., 1983, 18’
  • Tiefenwirkungen II, solo vc.,b.cl.,bn.,va.,vc.,cb., 1981, 13'
  • Oktett, fl.,cl.,bn.,hn.,vl.,va.,vc.,cb., 1984, 20'
  • Fünf Gesänge nach Catull, sop.,fl.,vc.,hps., perc., 1984/5, 25'
  • Seven Excursions, 2 fl., 1986, 15’, Carus 
  • Luce, calme et volupté, vc., pno., ca. 15’, Premiere: Stuttgart 1999
  • Now, Fair Hippolyta II, fI., va.,hp., 1995/98, ca. 10’, Premiere: Augsburg 1999
  • String Quartet No.2, 1995/96, ca.20´, Premiere: Maulbronn Festival 1996
  • Canzone, fI.,pno., 1994, ca.5‘, Premiere: Stuttgart 1996, Zimmermann
  • Water Music, vI.,vc.,hp., ca. 14’, Premiere: Friederichshafen 1993
  • The New World Revisited, cI.,bn.,hr.,2vI.,va.,vc.,cb., 1991/92, ca.26’, Premiere: Kornwestheim 1992, recorded for broadcast, SDR
  • Les Nuages de Magritte, vl.,vc.,pno., 1989, ca. 18‘, Premiere: Stuttgart 1989, recorded for broadcast, SDR, WDR
  • Und alle Zeit ward Gegenwart, fl.,organ, 1989, ca. 12‘, Premiere: Maulbronn Festival 1989
  • Alive (e.e. cummings), sop.,fI.,ob.,cI.,tbn.,vI.,vc.,pno., 1989, ca.11’, Premiere: Stuttgart 1989, recorded for                              broadcast, SDR
  • Im Zwielicht, fI.,vI.,vc., 1988, ca. 18‘, Premiere: Stuttgart 1988, recorded for broadcast, SDR
  • Progressions for voice, 1974, 9'  
  • Orgelfantasie,  1980, 13’
  • Incandescence for flute, 1980. 7’, Zimmermann
  • Now, Fair Hippolyta for flute, 1987, 6’
  • Passages for organ solo, 1995, ca. 7’, Premiere: Cologne 1995
  • Passacaglia, recitation and tape, 1976, 10'
  • Omion, tape, 1980, 14'
  • Progressions, 1987, 9'film with director Pim de Vroom



'The ensemble L'Art pour L'Art gave an intense and exciting performance of John Van Buren's "Fünf Gesänge nach Catull". Although the use of a Latin text seems antiquated at first, the words excite the work's compelling expression of mood and emotion." 
Frankfurter Allgemeine Zeitung

Reviews

Orgelfantasie

'Heimkehr in die Fremde" a ballet by Jürgen Heiß to the fascinating Orgelfantasie by John Van Buren was the high point of the evening."

Mainzer Abendpost

Trio für Fünf

"has a great sense of timbre, emotion and dramatic effect..

Stuttgarter Zeitung

"an outstanding talent demonstrated in "Trio für Fünf'"

Schorr, Stuttgarter Nachrichten

Three Preludes for Small Orchestra

.. impressively transcends the disjointed style of his contemporaries and validly pursues the much decried term, "work of art" »

Lorbeer, Stuttgarter Zeitung

Oktett 

.. enjoyable without being conventional. 

Stuttgarter Zeitung 

".. a formally clear, well-crafted Divertimento.. 

Reutlinger General-Anzeiger

Divertimento

"John Van Buren's "Divertimento" is an effective yet abstract work that contains most of the devices endemic to atonal music. His harmonic and melodic progressions are frequently fragmented and minutely dispersed among the various sections of the orchestra, which demands the rhythmic precision deftly given by maestro William McGlaughlin and precisely carried out by the players. It was a master performance and was warmly received."

T. Marrocco, Eugene Register-Guard

Streichquartett 

"A most welcome premiere! With its rich variety of sound and spontaneus power of expression, John Van Buren's Streichquartett revealed a cultivated style of writing.', "

Löhlein, Stuttgarter Zeitung

Progressions

"very cleverly calculated and effective …“

Gutscher, Stuttgarter Zeitung

„A vocal extravaganza!“

Crisp, Financial Times, London

„Luxe, calme et voluptè" „A masterpiece“, 

Stuttgarter Zeitung

Musical estate

The musical estate (originals, commentaries by the composer...) is located in the Württembergische Landesbibliothek, Stuttgart.

The musical material that is not commercially available is privately owned (including that published by Peer music and edition moderne). Please use the contact form for inquiries.

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